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Brief Advait (Aditya Roy Kapoor), a young introvert, visits Goa where he meets Sara (Disha Patani), a free-spirited girl from London who has come to India for the first time to live life unshackled, like a vagabond (Malang). Extreme opposites of each other, they both live it up together. All goes well until life turns upside down. Five years later, this incident circles back to SHO Agashe (Anil Kapoor), vigilante killer cop and Michael Rodrigues (Kunal Kemmu), a righteous cop. What is the connection between Advait, Sara, Agashe and Michael? Malang answers all these questions / 1174 votes / director Mohit Suri / Country India / Anil Kapoor / genre Romance.

Malang - unleash the madness movie streaming. Its nice but not must watch climax was nice and suspense was well maintained. Malang - Unleash the Madness Movie stream new albums. Columns, Safari Notes Spotting caracals in Africa Jaisal Singh, 24 Jan, 2020 WE WERE ON safari in the Masai Mara in Kenya when dawn broke on the new decade. Camping in a wild-olive woodland inside the National Reserve, surrounded by a gushing seasonal stream, we woke each morning to the rousing sound of lions roaring. The invigorating aroma of rain-washed fresh grass greeted us as we exited our tents before daybreak to set off on spectacular game drives. But even this, one of the most celebrated wildernesses on earth, hasnt been spared by our lot. According to a recent study, in the past four decades the human population living around the Mara has grown by a staggering 400 per cent, while wildlife populations have plummeted by 75. Have we humans forgotten, or chosen to ignore, a key ingredient of survival— balance? It is beyond baffling that we, the so-called ‘apex specie, have purposely plundered our planet, carelessly causing so much wanton destruction of it, in the past century. The horrendous wildfires in Australia which heralded in 2020 have been the ultimate alarm from nature in the history of mankind. More animals than the entire human population of India—an estimated 1. 5 billion of them—perished in just a few days. But has this alarm woken us? The fires in the Amazon appear to have already been forgotten. So, when are we going to take cohesive, affirmative action? Or will we remain, daftly, in denial that our planet continues to be massacred mercilessly by the armies of human greed? There are positive conservation and environmental initiatives around the world too, but they are outrageously outnumbered. DURING THE SECOND half of our safari, we were looking for the tracks of a melanistic serval cat in Tanzanias Serengeti when my phone got signal momentarily and downloaded a flood of messages alerting us to the crisis in Iran. It sounded like World War III might break out before breakfast, a chilling contemplation. The skirmish had already taken a few hundred lives; tragically the majority of them non-combatant civilians on an airliner mistaken for a missile. Sitting by the campfire that evening, armed with a tumbler of whiskey, we got news that The POTUS had announced a de-escalation of sorts. But no defence analyst worth their salt can say, with any surety, how long it will last. To say The Donald is unpredictable is the understatement of the decade. BUT FOR NOW, back to the sunlit savannah. Our ‘Game Card after a fortnight on safari in the Mara-Serengeti ecosystem that spans Kenya and Tanzania wasnt half bad; over 100 lions, 16 cheetahs, a dozen leopards, and while we failed at finding the black serval, we did have a lovely sighting of a normal one. But, hands down, our most extraordinary encounter was with a caracal. Extremely rare to see, let alone photograph, these charismatic cats with those unmissable tufts on their ears are found in both Africa and India. While weve been lucky to see them a few times in Ranthambhore, they have melted into the undergrowth in minutes. The one in the Serengeti gave us three and a half hours! Walking, stalking, hunting—you name it. This goes to show there is still hope. ON OUR WAY home, a pleasant surprise, albeit of a different sort, awaited. The new terminal at the Julius Nyerere International Airport in Dar es Salaam is simply marvellous. In the past, one had to battle jostling crowds to enter the old terminal building. The new one is spotless, orderly, efficient and user-friendly; it stands out among the very best in the world. Add to that, the delicious, hot mutton samosas with chilly chutney on offer in the airports lounge. BACK IN THE motherland, I hear Rajasthan is gearing up for a gargantuan wildlife summit, the 11th World Wilderness Congress, in March. With some 1, 800 delegates descending on the Pink City, and with a ‘star cast of speakers from around the world, it is causing much hooplah. Needless to say, dialogue is essential, as is the sharing of ideas and best practices. But aside from all the networking and patting each others backs, let us hope measurable targets will be set; for land under wildlife, and for wild animal populations. Else it might be remembered as yet another egregious event. With almost 1. 5 billion people, it is remarkable that India can still boast of astounding biodiversity. To safeguard this for future generations, sustainable development is more crucial than ever; taking into account the air, land, water, people, and wildlife together —not in isolation. After all, it is about ensuring the right balance. About The Auth o r Jaisal Singh is an author, a conservationist and an entrepreneur.

I don't know y bollywood is going low day by day... this movie is nothing but nuts... hyping skin show, drugs and putting a love angle... total waste of star caste... stupid idiotic story of revenge... and songs sucks. pls avoid even to go near theatre gates... Malang - Unleash the Madness Movie stream.

Good starting with a high voltage fight sequence follows by pre intimated murder. One can get involved into a psycho killer thriller. But you must keep in mind that it is a Bollywood flick and typical melodrama is waiting for you. Two lovers enjoying Goa fun life in full fledged. This goes till mid and then a terrific twist turns down and you will surely enjoy like it Hollywood thriller. But again it is b'wood and climax and end is illogical form takes all thrill away and foolish end. Climax could have been better. So it is an average movie despite some thrilling moments
Aditya is good in killers role than sobar lover. Disha is totally miscasted with expression less face. Anil and Khemu both rocks. While Amrita makes you to notice her by her a brief but memorable role. Songs are unnecessary. Overall some good some boring movie. See only if you have extra spare time.

Malang - Unleash the Madness Movie stream online. Malang - Unleash the Madness Movie stream new.

 

Malang - Unleash the Madness Movie. Malang - Unleash the Madness Movie streaming sur internet. Boon Joon-ho's Oscar winner has cured the UK's fear of subtitles, writes Charles Gant in his weekly box office bulletin The winner: Parasite Even before Parasites historic wins at the Oscars on Sunday night – its the first film in a foreign language ever to scoop the Best Picture prize – Bong Joon Hos social satire had proved amply intriguing to UK cinema audiences in its opening session. The South Korean auteurs seventh feature debuted in the UK with 1. 09m from 137 cinemas for the weekend period, and 1. 40m including previews. Those numbers are exceptional. Outside of Bollywood, and the very occasional mainstream Polish film serving the UKs large Polish population, its rare for a foreign language film to gross 1m at UK cinemas in its lifetime, let alone in three days. Last year was one of the better periods for the sector, with Pedro Almodóvars Pain and Glory reaching 1. 53m – the biggest for a non-Bollywood foreign language film since Untouchable (2. 04m lifetime) in 2012. The largest score ever for a foreign language film at UK cinemas was achieved by The Passion of the Christ back in 2004: 11. 1m. That film began its life with 229, 000 from just 44 venues, expanding significantly two weeks later. Parasite is significantly ahead of the pace of Mel Gibsons film, albeit benefiting from wider play. (These figures are not adjusted for inflation. ) Gibsons Mayan-language action adventure Apocalypto achieved a bigger opening number back in 2007: 1. 36m. Although Parasites total including previews is bigger, the comparison for the Friday-Saturday-Sunday period puts Apocalypto ahead, since previews provided only 21, 000 of its total. However, Apocalypto opened into 385 cinemas, as against just 137 for Parasite, so the box office comparison seems hardly apt. Apocalypto went on to achieve a total of 4. 11m Next for Parasite is a rapid expansion of its UK footprint: the film will increase to more than 400 cinemas from this Friday. This is the first film from arthouse distributor Curzon Artificial Eye to play in multiplexes since Park Chan-wooks The Handmaiden back in April 2017. The Handmaiden managed a lifetime total of 1. 36m – which Parasite has already overtaken. Global total for Parasite is a powerful 165m, including 72m in South Korea. The chart champ: Dolittle With all the attention thats rightly being paid to Parasite, its easy to overlook the fact that the film was by no means the top new title at the weekend. That honour belongs to Dolittle, Hollywoods latest attempt to serve up a big-screen treatment of the Hugh Lofting classic. The Robert Downey Jr vehicle began with 3. 12m from 600 sites for the weekend period, and 5. 09m including previews from the previous Saturday and Sunday. For comparison, Dr Dolittle, starring Eddie Murphy, began with 3. 05m back in 1998, on its way to a 19. 9m total. Sequel Dr Dolittle 2 achieved a less-impressive 8. 90m in 2001. Robert Downey Jr in Dolittle Global total for Dolittle so far is 161m – but it needs to go a lot higher, given a production budget reported at 175. Bear in mind that backers Universal will only receive half what cinemas gross, and also has significant marketing costs to bear. (Ancillary revenue streams including digital, DVD and television will lighten the load. ) The runner-up: Birds of Prey Likewise beating Parasite in pure box office terms is Birds of Prey, starring Margot Robbie. The Suicide Squad spinoff from the Warner Bros/DC Films stable has begun with an OK 2. 83m from 629 sites, and no previews. Viewed through the prism of past DC successes, the number is disappointing – after all, Suicide Squad started its run with 11. 3m back in August 2016. However, its questionable that Birds of Prey was ever in the running to be a Suicide Squad (which reached 33. 6m lifetime. Birds of Prey Star Margot Robbies biggest hits to date have come in supporting roles (The Wolf of Wall Street, Once Upon a Time… in Hollywood, Mary Queen of Scots) and ensemble films (Suicide Squad. Among her starring roles, I, Tonya grossed 3. 97m lifetime. The live hit: Kinky Boots – The Musical Repeat screenings in cinemas at the weekend of Kinky Boots – The Musical grossed 503, 000, placing the title in seventh place in the UK chart. The event, filmed at the Adelphi Theatre in London with original lead actors Matt Henry and Killian Donnelly, went out into cinemas last Tuesday (February 4. Total gross so far is 1. 18m. Kinky Boots is adapted from the original 2005 film, which achieved a so-so 3. 06m in UK cinemas back in 2005. The property has achieved much more impact as a stage musical. The category known by the industry as event cinema is having a decent year so far. Successes include Royal Opera Houses Sleeping Beauty (659, 000) and La Boheme (564, 000) Met Operas Porgy & Bess (478, 000) and the latest from perennial overachiever Andre Rieu, 70 Years Young (2. 04m. The milestone: Little Women Last week saw Little Women push through the 20m barrier at UK cinemas, with total box office now at 20. 8m. Thats an extraordinary number for a period drama based on a literary source. Its also way beyond what might be expected based on the US result. In North America, Little Women has reached 103m. By rule of thumb, based on that number, you might expect a UK outcome just over 10m – half the achieved result. Little Women Also doing well is The Personal History of David Copperfield, with 5. 08m after 17 days. Charles Dickens has not proved an easy sell in UK cinemas in recent years, with the notable exception of the animated A Christmas Carol starring Jim Carrey. Conventional dramatic retellings of Dickens (Oliver Twist, Nicholas Nickleby and two versions of Great Expectations) all came in below 2. 6m at UK cinemas. Armando Iannuccis new film should easily reach 6m. The market Thanks to the arrival of Dolittle, Birds of Prey and Parasite, plus another strong performance from 1917 (down just 19% at the weekend) the market overall performed decently, with takings 8% up on the equivalent session from 2019, when The Lego Movie 2 was the top new title. Cinema operators now have hopes pinned on the arrival this Friday of Sonic the Hedgehog, based on the popular videogame character, and the latest version of Emma, which is a collaboration between leading UK producers Working Title and Blueprint Pictures (Best Exotic Marigold Hotel. Top 10 Films Feb 7-9 Dolittle, 5, 085, 520 from 600 sites (new) Birds of Prey, 2, 833, 297 from 629 sites (new) 1917, 2, 271, 528 from 692 sites. Total: 35, 888, 252 (5 weeks) Parasite, 1, 397, 387 from 137 sites (new) Bad Boys for Life, 1, 000, 628 from 481 sites. Total: 13, 098, 674 (4 weeks) The Personal History of David Copperfield, 530, 339 from 519 sites. Total: 5, 089, 472 (3 weeks) Kinky Boots – The Musical, 503, 256 from 479 sites. Total: 1, 175, 429 (2 weeks) Jumanji: The Next Level, 391, 310 from 462 sites. Total: 34, 830, 746 (9 weeks) The Gentlemen, 351, 323 from 333 sites. Total: 11, 057, 892 (6 weeks) Little Women, 305, 033 from 452 sites. Total: 20, 800, 556 (7 weeks) Other openers Underwater, 191, 869 from 330 sites Malang – Unleash the Madness, 61, 689 from 64 sites Mr Jones, 16, 583 from 10 sites Jaanu, 10, 851 from 18 sites Vaanam Kottatum, 8, 216 from 13 sites A Streetcar Named Desire, 5, 204 from 5 sites (reissue) Plus One, 5, 006 from 10 sites Not Perfect Men, 4, 649 from 9 sites Zakhmi, 3, 676 from 9 sites Ask Tesadufleri Sever 2, 1, 616 from 3 sites Fando & Lis (4k Restoration) 956 from 5 sites Daniel Isnt Real, 919 from 1 site Thanks to Comscore; cSMoviesUK. All figures relate to takings in UK and Ireland cinemas. Chart numbers include preview takings.

Malang - Unleash the Madness Movie streams. Malang Theatrical release poster Directed by Mohit Suri Produced by Bhushan Kumar Krishan Kumar Luv Ranjan Ankur Garg Jay Shewakramani Written by Aseem Arrora Screenplay by Aniruddha Guha Starring Aditya Roy Kapur Disha Patani Anil Kapoor Kunal Khemu Music by Songs: Mithoon Ankit Tiwari Asim Azhar Ved Sharma The Fusion Project Score: Raju Singh Cinematography Vikas Sivaraman Edited by Devendra Murdeshwar Production company Luv Films T-Series Northern Lights Entertainment Distributed by Yash Raj Films Release date 7 February 2020 [1] Running time 135 minutes [2] Country India Language Hindi Box office est. 44. 52 crore [3] Malang ( transl.  Vagrant) is a 2020 Indian Hindi -language romantic action thriller film directed by Mohit Suri [4] and produced by Luv Ranjan, Ankur Garg, Bhushan Kumar, Krishan Kumar and Jay Shewakramani. It features Aditya Roy Kapur, 5] Disha Patani, 6] Anil Kapoor and Kunal Khemu in the leading roles with a guest appearance by Shaad Randhawa. [7] The film is distributed by the banner Yash Raj Films. The film was announced on 4 March 2019. Principal photography commenced in Goa on 22 March and was wrapped up on 7 October 2019. [8] 9] The film released in theatres on 7 February 2020. [10] Cast Aditya Roy Kapur as Advait Thakur Disha Patani as Sara Nambiar Anil Kapoor as Police Inspector Anjaney Agashe Kunal Khemu as Michael Rodriguez Elli AvrRam as Jessie Keith Sequeira as Nitin Salgaonkar Amruta Khanvilkar as Teresa Vatsal Sheth as Victor Himanshu Tandon Shaad Randhawa as Advait's friend (guest appearance) Prasad Jawade as Deven Shivaji Jadhav Production Filming The filming began on 16 March 2019. [11] The principal photography began on 22 March in Goa. [12] The Mauritius schedule was shot in the first week of May. [13] The film was wrapped up on 7 October 2019 [14] Marketing and release The all lead cast first look posters of the film were released on 3 January 2020. [15] 16] 17] On 6 January the official trailer was launched by T-Series. [18] 19] The film was initially scheduled to be released on 14 February 2020; later on 26 December 2019, it was moved earlier by a week to 7 February 2020. [1] Soundtrack Malang Soundtrack album by Mithoon, Ankit Tiwari, Asim Azhar, Ved Sharma and The Fusion Project Recorded 2019 Genre Feature film soundtrack Language Hindi Label T-Series The film's music was composed by with Mithoon, Ankit Tiwari, Asim Azhar, Ved Sharma and The Fusion Project with lyrics written by Sayeed Quadri, Kunaal Vermaa, Prince Dubey and Haarsh Limabachiyaa. Track listing No. Title Lyrics Music Singer(s) Length 1. "Chal Ghar Chalen" Sayeed Quadri Mithoon Arijit Singh 5:40 2. "Malang - Title Track" Kunaal Vermaa, Haarsh Limbachiyaa Ved Sharma Ved Sharma 4:47 3. "Humraah" Kunaal Vermaa The Fusion Project Sachet Tandon 4:59 4. "Phir Na Mile Kabhi" Prince Dubey Ankit Tiwari Ankit Tiwari 4:59 5. "Hui Malang" Kunaal Vermaa, Haarsh Limbachiyaa Ved Sharma Asees Kaur 3:12 Box office Malang earned 6. 71 crore nett at the domestic box office on its opening day. On the second day, the film collected 8. 89 crore nett and 9. 76 crore on its third day, taking the total opening weekend collection to 25. 36 crore. [3] As of 11 February 2020, with a gross of 39. 52 crore in India and 5 crore overseas, the film has a worldwide gross collection of 44. 52 crore. [3] References External links Malang on IMDb Malang on Bollywood Hungama.

Malang - Unleash the Madness Movie streaming. Cast: Ajay Devgn, Saif Ali Khan, Sharad Kelkar, Kajol, Luke Kenny Director: Om Raut Tanhaji: The Unsung Warrior stars Ajay Devgn as the valorous hero of the films title, Chhatrapati Shivaji s trusted lieutenant Subedar Tanhaji Malasure, who, according to legend, never backed away from a fight. Yet its Saif Ali Khan, playing the films villain, who appears to be having more fun. Saif plays Udaybhan, Mughal emperor Aurangzebs Rajput general, who sports black robes, a thick beard, a deceptive smile, and an unending appetite for cruelty. Lets just say hes cut from the same cloth as Ranveer Singh s Alauddin Khilji. The film, directed by Om Raut, is set in the year 1670, and focuses on the Battle of Sinhagad between the Marathas and the Mughals. History has it that Tanhaji abandoned his sons wedding to defend the Kondhana Fort near Pune from Udaybhan and his troops. The filmmakers stick to the broad strokes of the story, but details appear to be cheerfully exaggerated and fictionalised. Characters, communities, and empires are reduced to archetypes. The Marathas are all noble, swaraj-worshipping warriors; the Mughals are opportunistic, deceitful, invaders. Over nearly two hours and fifteen minutes the stage is set for a sprawling epic that is frankly less historical and more action saga. It is also the best way to enjoy this film. Tanhaji is first introduced in the film swooping down on the enemy in a ravine, his men and him vanquishing them with strategy and sheer daring. Its a stunning entry. The film is mounted on an extravagant scale, with massive sets, big action set pieces, booming background music, and elaborate costumes. There is more than a whiff of Sanjay Leela Bhansali and particularly Padmaavat in the films lighting and colour tones. The cinematography by Keiko Nakahara is sweeping, very much in keeping with the overall brief of aesthetics. The action scenes are especially effective, and further enhanced if you choose to watch the film in 3D. Sequences depicting the guerilla tactics employed by the Marathas to scale the fort are excellently executed, and the final battle between Tanhaji and Udaybhan is nothing short of spectacular. With a deadly cannon aimed in the direction of Shivajis Rajgad Fort, the two men face off in a bloody fight to the finish. Of the cast, Kajol shows up in the role of Tahajis wife Savitri, and the scenes between them benefit from the actors easy chemistry. Sharad Kelkar nicely channels Chhatrapati Shivajis nobility, and Luke Kenny is an inspired casting choice for the role of Aurangzeb. Ajay Devgn brings unmistakable earnestness to the role of the honourable warrior. It is to his credit that even while mouthing heavy dialogues loaded with repeated use of words like “ bhagwaa dhwaj ”, he roots the hero in a kind of relatable humanity. The scene-stealer, however, is Saif Ali Khan who sinks his teeth into the role of Udaybhan. His sadistic general is a man who throws cold water on sleeping prisoners, and in one scene sends a poor guard falling to his death after screaming in his face. It must also be said that Tanhaji: The Unsung Warrior speaks directly to our hyper-nationalistic climate. The history is dubious, the politics problematic. It feeds into what seems to have become Bollywoods preferred stereotype of the enemy: all savage, brutal, ruthless ‘outsiders. If you can look beyond that, youll appreciate the robust filmmaking, the visceral battle scenes, and a delicious performance by an actor whos seldom got his due. For some that will be enough. Im going with three out of five for Tanhaji: The Unsung Warrior. Rating: 3 / 5.

Malang - Unleash the Madness Movie stream of consciousness. Stone Temple Pilots – Perdida (2020) February 06, 2020 Pet Shop Boys – Hotspot (2020) January 23, 2020 Squarepusher – Be Up A Hello (2020) January 11, 2020 Stabbing Westward – Dead & Gone (2020) January 02, 2020 Angel Olsen – All Mirrors (2019) September 30, 2019 Opeth – In Cauda Venenum (2019) September 26, 2019 Liam Gallagher – Why Me? Why Not. (2019) September 23, 2019 Korn – The Nothing (2019) September 23, 2019 Peter Gabriel – Flotsam And Jetsam (2019) September 14, 2019 Belle And Sebastian – Days Of The Bagnold Summer (2019) September 12, 2019.

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Review: Downhill Release date: February 14, 2020 Running time:  86 minutes Starring: Julia Louis-Dreyfus, Will Ferrell, Miranda Otto Downhill is the 2020 remake of the 2014 Swedish Film "Force Majeure" where we follow Billie (Louis-Dreyfus) and Pete Staunton (Ferrell) as they embark on a family vacation with their two sons to an Austrian ski resort.  But during this family vacation, a reaction to an avalanche puts their marriage to the ultimate test as each questions the other's choices, the protection of their family, and their feelings for one another. Will Ferrell has a pretty recognizable type of over the top humor, but in this movie it was turned down a notch.  Thankfully, although his humor was muted, his facial expressions and mannerisms were not.  It was nice to see his character here to add some diversity to his roles.  It is also worth noting that Will Ferrell and Julia Louise-Dreyfus have good on-screen chemistry.  In fact both of them did excellent jobs in their roles: they were able to capture the emotional turmoil that they were going through in a believable manner, which helps the audience empathize with what they are going through. This dark comedy has a good amount of humor and laughs, however it is tough for me to see what the target audience of this is given its Valentine's release date.  It is not a traditional date movie, and although the dialogue and scenarios are realistic, it is tough to get invested in these characters.  The beautiful shots of Austrian mountains are a huge plus for anyone who loves seeing beautiful scenery, but those views are put against a dark comedy and plenty of awkward tension.  Additionally, the story seems to swirl downhill only to lead to a far too convenient conclusion, hurting my overall enjoyment of the film.  I would have liked for them to fully explore some of the themes, rather than tying up this relatively short movie. Considering a very competitive opening holiday weekend, this movie might have to wait till you reach the bottom of the slope for you to view.  Downhill has interesting roles for its two stars set against a realistic story and beautiful scenery for this relationship dark comedy. Rent It Review: Malang Release date: February 7, 2020 Running time: 135 minutes Starring:  Aditya Roy Kapoor, Anil Kapoor, Disha Patani Malang is a new thriller that is essentially two distinct movies blended together.  It is one part youth exploration film, where two people meet in Goa and live their best life partying, experimenting, enjoying their freedom, and slowly conquering their worldly fears.  It is also a thriller about a seemingly superhuman killer hunting down cops on December 24.  These two movies intertwine throughout, providing context to one another and pulling you deeper into the madness that is Malang. The visual style of Malang is really a sight to behold.  Especially during the party scenes, the colors and effects really pop off the screen.  Neon lights, glowing paint, various drug-induced effects, they all contribute to a visual style that lets you experience what the youths in the film are.  Outside of the party scenes, there are some beautiful scenes exploring Goa.  And even in the darker parts of the movie, the visual style is apparent.  Colors will pop, including lots of neon placed at the right times.  The fight scenes use an appropriate amount of slow motion and other effects (lots of rain and other water) to really make them feel impactful.  This impact is helped along by some great sounds.  Not only some fantastic music during the party scenes, but some bone crunching effects during the fights and action.  And although there is a decent amount of violence, it is never too pronounced or over the top.  The story of Malang is well done, aside from one complaint.  The film weaves the two disparate stories together well, and slowly reveals aspects of both stories to the viewer.  The thriller side of the film is really interesting, and some of the reveals happen at just the right time.  However, there is one turn in the movie that just feels like it is too over the top.  It really dampened what is an otherwise very enjoyable story.  It was critical to the overall plot of the film, but I feel like it could have either been altered to something less extreme or have been foreshadowed more during the film.  However, that being said Balang was one of the more enjoyable films I have seen out of Bollywood.  It has a very good story and also embraces some aspects of youth culture that are often hidden away in Hindi films. Unleash the madness with Malang's wonderful visuals, bone crunching sound, and story that will keep you guessing! Watch It Review: Sonic the Hedgehog Running time: 99 minutes Starring:  Jim Carrey, Ben Schwartz, James Marsden Who would have thought that a movie based on a 90s videogame with a less than stellar recent track record would be good?  I definitely didn't think so after the debacle of the first trailer.  But thankfully, the Sonic movie is a really fun movie!  It quickly endears itself to you with enough references and callbacks to the film to keep you entertained.  In it, Sonic is an alien from another planet blah blah, who cares!  The story itself, like most sonic video games, is only a vehicle for good effects, a sense of speed, and the hedgehog putting himself into ever more perilous moments. The hearts of this movie really comes from two sources.  The first is the enjoyable camaraderie between Sonic (perfectly voiced by Schwartz) and Sheriff Wachowski (Marsden.   The two play off each other well with Sonic speaking quickly, telling good and bad jokes, and getting into all sorts of trouble.  Marsden, is the perfect foil to Schwartz, a calmer, more confident figure to counteract Sonic's crazy style.   Schwartz does a fantastic job as Sonic and really seems to get the character and his mannerisms.  The other source is Jim Carrey's amazing performance as Dr. Robotnik.  It seems like the filmmakers just told him to go crazy and do what he wanted to.  He has some really funny lines, some outbursts that come from nowhere, and even a part where he just dances during his evil plan.  It doesn't always make sense for the character, but it is always enjoyable.  In fact, most of the Sonic movie doesn't really tie itself to the video games, and that is a good thing.  The filmmakers took the characters and many of the elements, and rather than being saddled by them, made a thoroughly enjoyable film on top of them. As with the Sonic video games, Sonic the Hedgehog has really good effects and an amazing sense of speed.  The risk in a computer generated film is that the CG can break your immersion, but here they do just enough to bring Sonic to life without pulling you out of the movie.  And as you would expect from a film based on a video game series, the movie also has plenty of throwbacks to the Sonic games.  From ring sound effects, to actual rings, to some animations and expressions that are inspired by the video game, there is definitely enough nostalgia here to please Sonic fans.  Sonic the Hedgehog is an entertaining re-imagining of the classic video game.  It's wonderful performances, great special effects, and plenty of humor and callbacks to the game will quickly entertain you! What to Watch This Weekend: February 7, 2020 In Theaters: Birds of Prey Birds of Prey is a triumphant breakout for Harley Quinn, a wild celebration of this character filled with bold style, entertaining action, a wonderful cast, and plenty of craziness.  For more information, check out our   review! The Traitor is an Italian mob epic, with amazing acting, a brutal and compelling story, and perfect music that will keep you engaged until the final shot.  For more information, check out our   review! At Redbox: Playing With Fire Playing With Fire takes a very funny cast, ridiculous situations, and lots of funny moments and tells a silly but heartwarming story that the whole family will love!   For more information, check out our   review! At Redbox: Doctor Sleep Doctor Sleep pairs a stellar cast, with a big score, and enough nostalgia from the original movie to keep you entertained.  Whether you are a fan of the novel or have seen Kubrick's original masterpiece, you will thoroughly enjoy Doctor Sleep. F or more information, check out our   review! Streaming (Showtime) The Best of Enemies A historical film starring two amazing actors playing very different characters, The Best of Enemies tells the story of the clash between a civil rights advocate and a leader in the local Ku Klux Klan in North Carolina during school integration.  This was an underappreciated film in theaters and should not be missed now! Streaming (HBO) John Wick Chapter 3: Parabellum John Wick Chapter 3 is an action-packed new chapter in the John Wick saga.  It has John Wick's trademark flair, brutal and imaginative action, and continues the assassin's story against ever increasing odds.  For more information, check out our review! Review: Birds of Prey Running time: 109 minutes Starring:  Margot Robbie, Rosie Perez, Mary Elizabeth Winstead After 2016's less than stellar Suicide Squad, DC decided to make a clean break from that movie's Joker. twice!  It made a dark, serious origin story in 2019's Joker; and it salvaged the best thing from Suicide Squad for a separate movie featuring Margot Robbie's Harley Quinn.  And wow was that a great decision.  Whereas the Joker is a dark descent into one person's madness, Birds of Prey is an explosive celebration of Harley Quinn's craziness and individuality.  After her final breakup with Mr. J, Harley Quinn decides to set out on her own.  However, she finds that life without the Joker is tougher and more dangerous than she originally thought.  She has to quickly learn some very dangerous lessons in order to survive in her new solo lifestyle. The main draw of Birds of Prey is Robbie's fantastic portrayal of Harley Quinn.  She has the right combination of ruthlessness, humor, charm, and pure craziness to bring the iconic DC character to life.  Quinn is both predictable and unpredictable at the same time.  I'm glad that Suicide Squad was made because it gave birth to this badass lady who will hopefully appear in more DC movies.  Robbie is joined by an eclectic group of other leading ladies who are all insanely different making for an unlikely, but very interesting cast.  None of them are your typical villain or hero, but they each have their motivations for being pulled into the gravitational craziness that is Harley Quinn.  One is a cop who ends up investigating Harley, there is a singer and a pickpocket who both run into Quinn, and a vengeful assassin (played by Mary Elizabeth Winstead who is especially engaging as the Huntress.   Each of these ladies' backstories are explored briefly; it is a nice touch but doesn't make you lose focus from the main star.  However, outside of the stellar cast, Birds of Prey has style in droves.  There are bold color choices throughout that give the movie a comic book feel despite the realistic, New York setting.  Some scenes have splashes of color that pop off the screen; it's not in your face but it is enough to make you appreciate the comic book origins of this film.  Additionally, the costume choices- especially Quinn's- are bright and deliberate.  Birds of Prey also has a surprising amount of action, with varied and imaginative fight sequences.  The fight choreography is not lighting quick, but it is very creative, uses the unique environments and skills of the various characters, and will leave you very entertained.  Whether it's Quinn taking on a group of overconfident thugs, or an imaginative chase scene involving some pretty whacky antics, the action in this film delivers both fun and thrills.  And all of this is complemented by some really great musical choices, both atmospheric music and covers of known songs to fit this movie's style. Birds of Prey is a triumphant breakout for Harley Quinn, a wild celebration of this character filled with bold style, entertaining action, a wonderful cast, and plenty of craziness. Review: The Traitor Release date: January 31, 2020 Running time: 145 minutes Starring:  Pierfrancesco Favino, Luigi Lo Cascio, Fausto Russo Alesi The traitor tells the story of a real life mob boss, Tommaso Buscetta who was an Italian mobster in Sicily and Brazil during the 1960s and 1970s.  However, a series of brutal attacks on his family lead him to become a police informant, putting himself and his remaining family at serious risk. This movie has multiple parts, first as a background for a mob boss and the brutal attacks that happened to his family.  Then it turns into more of an investigative, legal drama, as Buscetta becomes an informant.  These two very different themes are handled perfectly; although there is a clean break between the two main parts, there are some flash backs that occur at various times that help tie everything together.  The crux of all of this is Favino's amazing portrayal of Buscetta; Favino has a quiet confidence and a demeanor that shines through in his performance and really feels true to the man that he is portraying.  However, despite Favino being the star, the entire cast is fantastic.  Their portrayal of a variety of mafia members and family members really sets the tone early.  Additionally, Alesi as Judge Falcone is another stellar performance that really helps to move the story along. Everything about this movie contributes to its mood.  The cinematography, the action, the sounds or lack thereof, all help to tell this intriguing story.  The music is especially engaging and is perfectly placed to set the mood of the shot or evoke feelings.  The story itself is compelling and the fact that it is based on a true story helps you feel invested in the characters and their plight.  And the legal scenes, although they could have been fairly boring, are lively and an interesting contrast from American legal dramas.  The Italian court system is a very different world and I really enjoyed this dramatic peak into it.  The only problem with the film is that it seems to cut some corners in terms of story telling and have some very quick transitions at times.  But this is understandable for a movie that is two and a half hours long already. The Traitor is an Italian mob epic, with amazing acting, a brutal and compelling story, and perfect music that will keep you engaged until the final shot. Screening: Downhill SEARCHLIGHT PICTURES  Presents Inspired by the motion picture FORCE MAJEURE by Ruben Ö stlund Running Time:  1 hour 26 min Rating: R Barely escaping an avalanche during a family ski vacation in the Alps, a married couple is thrown into disarray as they are forced to reevaluate their lives and how they feel about each other. Julia Louis-Dreyfus and Will Ferrell star in this biting comedy. Searchlight Pictures presents DOWNHILL, directed by Nat Faxon and Jim Rash from a screenplay by Jesse Armstrong, and Faxon & Rash; starring Julia Louis-Dreyfus, Will Ferrell, Zach Woods, Zoë Chao, Miranda Otto and Kristofer Hivju. Louis-Dreyfus also produces, along with Anthony Bregman and Stefanie Azpiazu. It is inspired by the acclaimed 2014 Swedish film FORCE MAJEURE. The filmmaking team includes director of photography Danny Cohen, production designer David Warren, costume designer Kathleen Felix-Hager and music by Volker Bertelmann. Screening Details: AMC Mazza Gallerie Be sure to Like and Follow Watch or Pass on  Facebook,  Twitter,  Instagram, and share with your friends! As always, screenings are first-come, first-served so please arrive early to ensure you get a seat. Review: Gul Makai Release date: January 24, 2020 Running time: 132 minutes Starring:  Reem Shaikh, Divya Dutta, Atul Kulkarni Gul Makai is a dramatic nonfiction telling of the events leading to the Taliban takeover of Pakistan and the eventual attack on student activist Malala Yousafzai, a young girl who was shot because she wanted to go to school.  Malala started blogging on BBC Urdu under the pseudonym Gul Makai, detailing the oppression that her hometown faced under the Taliban. Although Gul Makai is advertised as a Malala biopic, and it does detail the oppression faced by her and her village, the film is more focused on the Taliban takeover of Pakistan.  We only briefly meet Malala during the first hour of the film, with most of that focused on the brutality and religious ideology of the Taliban as it terrorized Pakistan.  Even after we meet Malala, there is little told about her or her courageous effort, as the film keeps going back and forth between her and the struggle of the military and insurgents to fight the Taliban.  It is a strange balance, and one that I do not think works.  The film really does paint a great picture of the grim conditions that Pakistan existed in under the Taliban, and the abject violence that occurred to enforce their religious ideology, but it unfortunately does not do a great job of highlighting its main subject.  Even the horrific event that led to the international community finally taking notice of Malala and her plight is only briefly shown. The actual fighting is mostly well done, with lots of gunplay and some big explosions as both the Taliban grab land in Pakistan and as the military fights back against them.  There are some goofs, such as soldier's "firing" by vibrating their guns, but overall it does paint a picture of the violence that occurred in this time.  It also does a fantastic job of painting the sheer brutality of it all, but I also wonder how much was real and how much was for dramatic effect.  The acting is good, if overly dramatic.  The highlight is Malala's father, who portrays a brave, determined person doing all he can for his village and the girls who only want an education.  This film is in a tough place, because it does a good job of portraying what led to the infamous attack on Malala, but it does not do a great job of portraying the main character.  There is very little shown of her blogging and the effort she made to get the international community to notice her plight. Gul Makai paints a grim picture of the Taliban takeover of Pakistan, and the infamous event that led to Malala Yousafzi receiving international attention. Rent It.

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